2012
Article
The Declaration of Political Correctness of Art S – Staring from reading the nomination of the 10th Taishin Art Awards special exhibition in visual art.
Artist
No. 445 ,P. 228-233
2012
Article
Strategic Syndrome of Academic Artists – Reading “<3—In the Name of Love” curation by TNNUS (Tainan National University of Arts) Postgraduate Students
Artist
No. 443 ,P. 266-269
2012
Article
Fight and Settlement with the Power of Collapse, Disappearance and Separation—Analysis of “The Remnant Vision” solo exhibition by Chen, Shun-Chu at MOCA Taipei.
Artist
No. 441 ,P. 190-193
2011
Article
Bottle Cap Factory Which Cultivates the Capacity of Complexity—Urban action plan “Nangang Play Ground”.
Artist
No. 439 ,P. 220-223
2011
Article
Deconstruction Myth as a Contribution to the World—Reading “L’artiste Narrateur Entre-Temps” in Musée D'art Moderne National Video Reservation Tour Exhibition.
Artist
No.437 ,P.178-183
2011
Article
Regarding the Collective Panic Disorder of Living and Future Surviving—Dust and debris II of the interdisciplinary artists of the new era.
Artist
No.435 ,P. 352-355
2011
Article
Artistic Look of Contemporary Sound–An alternate simulation of behavior from video to virtual space—“Urban Places” Solo Exhibition of Li, Meng-Chien.
Artist
No.433 ,P. 378-383
2011
Article
Multi-Reflection of Comparison/Juxtaposition/Penetration—From Hsieh, Ying-Chun’s “Arcadia in the Back Alley” in Illegal Architecture.
Artist
No.431 ,P. 136-139
2011
Article
Reshape Taiwan’s Scenic History—Watching Ni, Tsai-Chin’s exhibition in a fast way that thinking is not allowed.
Artist
No.429 ,P. 182-187
2010
Article
A Biennial Which Loves Flirting—From “Co” Series, Taipei Biennials to Biennial of Blessing, Fortune & Longevity.
Artist
No. 427 ,P. 138-141
2010
Article
No Start, No End: Spiritual Level—Feelings from Shades of Spiritual Energy by Lin Tan 2010 Solo Exhibition.
Artist
No.426 ,P. 436-439
2010
Article
The Distance between Bopiliao and Monga—The Distance among creative factory, advertisement wall and city image factory.
Artist
No.425 ,P.226-229
2010
Article
So Close and Far From Reach—From Chang Ling Solo Exhibition “Meat Religion” in InSian Gallery.
Artist
No.421 ,P. 180-183
2010
Article
Art and its Origin City and History—On movie “Monga” and Taipei and the history that make it.
Artist
No. 419 ,P. 172-175
2010
Article
Some Advice on the Development of Cultural and Creative Industry—Facing “Law for the Development of the Cultural and Creative Industries”.
Artist
No.418 ,P. 130
2010
Article
The Production and Expansion Mode of Contemporary Art Machines?—From the experiment of “Mobile Man” by students of Cultural Industry and Arts.
Artist
No.417 ,P. 170-173
2009
Article
Traditional Taiwanese Markets and Western Café—Tang, Tang-Fa’s “1.5 kg 100 NTD” in Soochow University Entertainment and Art District.
Artist
No.415 ,P. 216-219
2009
Article
Collage Art Taiwan Only—From Street art to Taiwan’s collage art.
Artist
No.413 ,P. 278-282
2009
Article
Establishment of Art Center in City—Observation of recent events about art cultural industry in Taipei.
Artist
No.413 ,P. 242-245
2009
Article
Unfinished Sentences in Fang Li Jun’s Album.
Artist
No.411 ,P. 148-151
2009
Article
Fermenting an Art Platform of Gathering and Change—About two weekends off of art groups exchange in Nanhai Gallery.
Artist
No.409 ,P. 206-209
2009
Article
About “After” in the Quotation Marks—Observation of “Madden Reality Post-Taipei Art Group” retrospective exhibition.
Artist
No.407 ,P. 170-173
2009
Article
How Space/Art/Artists/Art Consumers to be Mobilized—Several big art events in creative gathering of domains in Taipei from 2008 to 2009.
Artist
No.405 ,P. 164-167
