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Huang Yi-Chen
LAST UPDATE : 2018.11.7 / EDITOR : photographicart
2 artworks / 9 exhibition

Huang Yi-Chen was born and raised in Taipei, Taiwan. She has an MFA in Photography from Academy of Art University, San Francisco. Her solo exhibition “Dead Letter” was held in 2013. Her first photobook “Love Remains” was published in 2016. She currently studies Photography in Royal College of Art, London.

birth year
1986
education
2018
MA Photography
Royal College of Art
2011
MFA Photography
Academy of Art University
personal website
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CURRICULUM VITAE
2013
Dead Letter
KU Gallery , Taipei , Taiwan
2017
Work in Progress Show
Royal College of Art , London , United Kingdom
2014
Taiwan Nude Art Photography
Taiwan Art Connection , Taipei , Taiwan
2014
青澀影
Jazz Gallery , Taipei , Taiwan
2013
Girl Camera Me
Café MeZone , Taipei , Taiwan
2012
Shin Kong Mitsukoshi International Photography Contest
Shin Kong Mitsukoshi Cultural & Educational Foundation , Taipei , Taiwan
2012
Both Sides of the Lens
The Kiernan Gallery , Virginia , United States
2012
Alternative Visions
625 Gallery , San Francisco , United States
2010
Academy of Art Spring Show
Academy of Art University , San Francisco , United States
2016
Book
Love Remains
Self-publishimg
2013
Honorable Mention
International Photography Awards
Lucie Foundation
United States
2012
Honorable Mention
International Photography Awards
Lucie Foundation
United States
2011
Finalist
Best of Photography Contest
Photographer’s Forum Magazine
United States
2010
Finalist
Best of Photography Contest
Photographer’s Forum Magazine
United States
2010
Honorable Mention
International Photography Awards
Lucie Foundation
United States
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Love Remains
2010-2016
Taking the path of photography, Love Remains is a private ceremony in which emotion is the offering. Bestowed with an extraordinarily powerful sense of intuition, Huang explores both the chiaroscuro and calculations of life. The fullness of her confidence is manifested through a naked awareness; yet it backlashes, creating tension. Shot on black and white film, each photo proposes visceral content that breaks down taboos and expresses one true conviction. The creator revolts within the ...
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The Self Forgotten
2011
The identification of self has always been an intriguing subject to me. Quite often, while looking into the mirror, I cannot help asking myself the same questions: “Who is it that is within and behind the image I call my-self? Are the observer and the observed identical? If not, in what ways and to what extent are they different?” As I have noticed, somehow bewildered, there exists another personality, sealed or lurking, in this body I claim mine. I sense an alien being, aware of its yearning ...
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