After learning about the grandmother's death, I began to record her oral history. Relevant works are divided into: the inside of the frame, the outside of the frame, changing the sound field through bodily movements, conveying sound waves through different media (water, air, etc.), and interactive narration of stories. In the frame, the viewer must dive into the water and receive sounds through bone conduction. Different from the experience of listening through air, we not only hear so ...

The work is composed of two parts: a VR device with no vision function, and interactive theater. It is intended to explore Bardo and VR media, lost history and body perceptions. Unlike the familiar VR visual sensory experience, viewers need to “shut eyes” to enter the immersive device and perceive the non-visual intrinsic state. After shutting off external figurative vision, the viewer can recreate the internal vision through abstract dynamic light stimulation and spatial audio and the ...

The audience will be having a reunion dinner in VR, but the diners at the table are absent. This leaves only the conversation I have with Siri, like borrowing a corpse to resurrect the soul—telling stories by using a voice-over narration that crosses between different dimensions. I imagine the "thou" in the cloud as "she" who has passed away, talking about unfinished business in the deaths of our loved ones. In addition to being a visual symbol, "circles" in space also carry cultural m ...

When space and time in the reality were isolated, imagination becomes more authentic. In the coffin, the viewers can only see some beating geometric lines with their eyes open. After they close their eyes, light becomes the canvas and voices and sounds turn into the brushes, slowly sketching the contours of the city, people, woods, lakes.... Just follow their senses to explore another world. This piece of scenery might be derived from the memories of the past; it might come from future fantas ...