I collected photographs of rainbows, and arranged them according to the geographical locations the photos were taken in, with Taipei 101 as the visual center of observation. The sizes of the photographs are the actual sizes they were taken in—the many small ones are from phone cameras.
Through this clandestine structural principle, I re-organized these varying points of view into a new image. While the unsuspecting viewer can simply admire the aesthetically pleasant geometric shapes, the beauty of the image is secretly made by some kind of interconnection.