The occurring of the world is not directly shown in front of us, but rather, blocked by the description of it. Hence, to put it correctly, we are always one step too late: our experience of the world is always the memory related to that experience, and we continuously try to remember the very moment of the beginning of that experience, and that of the end. We just keep remembering, remembering, and remembering. Through painting, what I would like to present is a sense of delay, which is logic of the senses; while it happens, the logic of language pauses whereas the individual still consciously perceives. A presumption is needed for the difference of sensual logic, that is, the accumulation of perceptual experience. As far as I am concerned, the perceptual accumulation is the key to determine how sense of delay would be created. For me, the majority of sensual energy of the perceptual experience is steady, while the guide string that connects the experiences varies, which changes the order of needs by varying the perceptual accumulation, namely: there is no standard rule for the sense of delay, everything of which is a spatial-temporal operation out of empathy.