Born in 1979. Graduated with a Master Degree from Graduate Institute of Plastic Arts and Ph.D. from Doctoral Program in Art Creation and Theory in Tainan National University of the Arts. Selected for “The 14th Taoyuan Contemporary Art Award”, "Taipei Arts Award", "S-An Arts Award" and attained the “The National Culture and Arts Foundation -- Award of Creation of Arts", she was also artist-in residence in Cité Internationale des Arts Paris, granted by Cultural Affairs of Taiwan. Her works were owned by a number of public and private collectors, such as White Rabbit Gallery in Australia, National Taiwan Art Museum and Art Bank, Taiwan.

Through interplay of images of body and languages, her previous works often create an overtone of perception. In her early works A Mind of Skin Touch(2005) and Condition#2(2004), Kuo tends to capture fragments of daily life from a microcosmic view. Using human body as media, she documents the performance in the form of video and manipulates visual images to express psychological perception of experience.

In her "Red Lip" series which created from 2006, she usually show large lips along with a repeated sound of reciting a sentence. Through her interpretation of action, a personal interpretation of perception is embodied in the enlarged image of partial body.

From 2014, Kuo broadens the subject, apart from the artist herself, and turns her shot for framing her surroundings. In her "Sea Move" series, such like: Sea Move(2014) and Sea Move-Duration(2016), the massive mechanical installation which include video projecting and Lycra screen, presenting the "haptic visuality" between body action and moving image. In 2018, she move forward to create the depth of image in the issue of "haptic visuality" by presenting works Stars(2018) and Cloud Move(2018).

Kuo carries on exploring her specific language, and shows out “demonstrated, spoken and imagined move” by the body action within her video.