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CHU Feng-Yi
LAST UPDATE : 2023.03.24 / EDITOR : tcaa
0 artworks / 2 exhibition / 0 essays

Feng-Yi CHU (b.1979, Taipei, Taiwan) obtained his PhD in Oriental Studies, University of Oxford. His research interests
focus on theories of identity, nationalism, social discourses and political ideologies. He worked as the programme convener for Taiwan Studies Programme at St Anthony’s College, University of Oxford, and as postdoctoral researcher in the Institute of Sociology, Academia Sinica in Taiwan. He hence develops his curatorial style by applying sociological thinking. He was invited to be the curator for a collateral event of the 2020 Taiwan Biennial, and his exhibition of 2019, "Relocating Divinity: Being an Atheistic Theist," was nominated for Taishin Art Award of the season. His recent curatorial projects include: “Relocating Divinity: Being an Atheistic Theist,” (Waley Art, Taipei, 2019), "Zoo of Inverted Forms: The Ultimate Other for Imagining Humanity" (Collateral Event of 2020 Taiwan Biennial), "Cross-Dimensions Transmission: The Synchronic Encounters between Art, Technology and Mysticism" (Kaohsiung Main Public Library, 2020). His recent curatorial project, "Dear Block Chen" (Solid Art, Taipei, 2021), is the first international NFT physical contemporary art exhibition in Taiwan.

birth year
1979
Place of Birth
Taipei
Taiwan
education
2016
Ph.D. Oriental Institute
University of Oxford
2007
MFA Department of Sociology
University of Warwick
2006
MFA Department of Journalism
National Chengchi University
2002
BFA Department of Agriculture Chemistry
National Taiwan University
experience
2019
Present Position
Independent Curator & Researcher
2017-2019
Resigned
Institute of Sociology, Academia Sinica Postdoctoral Researcher in Sociology
2014-2015
Resigned
Taiwan Studies Programme, St Antony’s College, University of Oxford Academic Programme Convener
personal website
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CURRICULUM VITAE
2019
NexUs Culture Nepal
Kathmandu , Nepal
2022
Exhibition
Nostalgia is a Flying Flag
Hong-gah Museum
Taipei , Taiwan
2021
Exhibition
The Place Gods Foster: Tansbao's Special Exhibtion of Nepalese Contemporary Art
Tansbao Gallery
Taipei , Taiwan
2021
Exhibition
Dear Block Chen
Solid Art
Taipei , Taiwan
2020
Exhibition
Cross-Dimensions Transmission: The Synchronic Encounters between Art, Technology and Mysticism
Kaohsiung Main Public Library
Kaohsiung , Taiwan
2020
Exhibition
Zoo of Inverted Forms: The Ultimate Other for Imagining Humanity (Collateral Event of 2020 Taiwan Biennial)
Waley Art
Taipei , Taiwan
2019
Exhibition
Relocating Divinity: Being an Atheistic Theist
Waley Art
Taipei , Taiwan
2019
Exhibition
Challenges in the Republic: 2019 The 6th Suwon International Photo Festival|Taiwan Exhibition
 
Suwon City , South Korea
2019
Exhibition
Myth of Sanctification: Politics, Body Aesthetics, and Nationalist Dominion
NexUs Culture Nepal
Kathmandu , Nepal
2022
Article
Relative Deprivation in the Neoliberal Market of Erotism: On Rexy Tseng's Solo Exhibition Pain and Pleasure
Nomansland
2022.11  
2022
Article
Questions Concerning Technologies of Reappearing Mystical Experience in Taiwanese Contemporary Art
Nomansland
2022.08  
2022
Article
Expressions and Applications of Mysticism in Korean Contemporary Art
Nomansland
2022.07  
2022
Article
Idealist Computer Algorism: On Cheng-Hsiang Liu's Solo Exhibition Build in Eyes, Form in Mind
Art Accrediting
2022.06  
2022
Article
Demon or Exorcist? On TFAM’s “The Modern Exorcist”.
Artco Monthly & Investment
No. 354/2022.03  
2022
Article
Workbook for Changing Perspectives: Conversation with Lin Pei-Ying on Inter-(Being)
Nomansland
2022.03  
2022
Article
Event Horizon, Reincarnation, Psychoanalysis and the Absent Southeast Asia Futurism: On Mattie Do's The Long Walk
Nomansland
2022.02  
2022
Article
China’s Religious United Front and Its Passive Resistance in Taiwan.
East Asian Policy
14(2) ,P.22–37
2021
Article
Dissolving and Reforming Human Boundaries in the Resonance of Emotions: On Ting-Jung Chen's Solo Exhibition Harmonic Distortion
Nomansland
2021.10  
2021
Article
Deliberating upon Politicizing Collective Repentance: On Chi-Yu Wu's Solo Exhibition Atlas of the Closed Worlds
Artco Monthly & Investment
No. 348/2021.09  
2021
Article
In Nation’s Resistance to Modernity: Bhutan’s Contemporary Art
Nomansland
2021.05  
2021
Article
We Have Never "Had Never Been Modern": Review on 2020 Taipei Biennial "You and I Don't Live on the Same Planet" Part-1.
The Reporter
2021.03  
2021
Article
We Have Never "Had Never Been Modern": Review on 2020 Taipei Biennial "You and I Don't Live on the Same Planet" Part-2.
The Reporter
2021.03  
2021
Article
Information Reconstruction in the Liquid Modernity: Review on Liquid Love
Nomansland
2021.01  
2021
Article
Chinese and Taiwanese Identities in Taiwan as Epistemic Challengers.
International Journal of Taiwan Studies
4(2) ,P.265-288
2020
Article
Quest for celestials and the theatric representation of cultural feelings and meanings: Review on "CosmicWander: OnGon + NeZha”.
Performing Arts Review Platform
2020.08  
2020
Article
Repairing the Relationship between Human and Nature: On Contemporary Art and Compulsory and Alternative Medicine.
Art Critique of Taiwan
No.81/2020.04 ,P.50-57
2020
Article
The Holy Mountain of Taiwan" that You Have Never Been.
The Reporter
2020.03  
2019
Article
The Extending Will of Human Civilisation: Review on " No Country for Caine".
ARTouch
2019.11  
2016
Article
Diverse Facets in Identities and Party Affiliations of Native Taiwanese Elders.
Issues and Studies
52/No.3  
2016
Article
Benevolent self vs. malignant other: The East-West antagonistic narrative of Taiwanese people’s Chinese identity.
Berliner China-Hefte - Chinese History and Society
47 ,P.37-55
2016
Dissertation/ Thesis/ Paper
Ph.D.
Duelling Identities: Dimensions of Dual Identity in Contemporary Taiwan
Oriental Institute
University of Oxford
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