The phenomena of the scenery, specifically their "melancholy" and "beauty", are created from a combination of sources. Although there is an artificial factor in landscape painting, creators must be conscious, and can never escape, the fact we must present what we see and think completely.
Beautiful landscapes, naked women and still lives... Are they worth a creator’s lifetime to draw? Whether one is drawn, one hundred or even ten thousand... Why would the creator do this? Is it only for the aesthetic feeling, to create a soft spot or retaining the beauty in landscapes, nudity of women and still lives? All these questions baffle me! Painting a large series of work requires intense contemplation because a creator should be conscious and avoid making lifeless work. If we do, we can circumvent strangling the possibilities of creation.
The phenomena of scenery makes people feel happy, but do we need so many people to produce so many works to satisfy so many people? The answer may be yes, no or there is no solution. Such a hollow question is worth deeper consideration.