During my two-month stay in Taitung, I took the textures and form of   rock from nature, modeled them with photogrammetry, and collage virtual and real scenes between the abstract and figurative. The  software algorithm fills broken polygons into  discontinue  rock and reef, it looks abrupt but consort, as if it is a summation of all natural geometry form. The composition balances the God's perspective of the 3D software with the  physical experience of standing  on one corner of  land.  Mix with senses  of the various kinds, humidity, agitation, and breeze of winds, as well as the  artworks of landscape that emerge naturally from memory.

In my residency in Taitung, although physically I was comfortable, it was inevitable that I had to learn about the local and produce works, which brought me anxiety. Accidentally, due to the epidemic restricted a lot of activity, the anxiety turn to helpless and then“let go.” My works of Taitung returned to a certain comfort zone, but this   pace, which is not deliberately aggressive and not rushing to change drastically, is what I learn from the mountains and the sea of Taitung.