The images in this work are made from special ink. They resist the destructive power of water, while relying on water to reveal themselves. Together they display the metapicture of memory. The development of the image gradually disappears as water dries out. This fleeting moment evokes humanity's forgetfulness about disasters. Yet, being forgotten does not mean it never happened or existed. The penetration of dripping water is a counter-image that inscribes the moment. It not only reminds us of the present, but also tends to break the destined time loop, allowing us to reflect on disasters as well as our fate.
In association with CHEN Fei-Hao on the historical researches.