"Above 2.0" happened on the fifth floor of an old apartment in Wanhua District in Taipei City. A 4.2-meter-long wood platform was built on the window frame and parapet wall to release the art space, extending from the interior to exterior, eliminating the barrier between interior and exterior of the space.

"Above 2.0" liberates the field of art events from the specific field of the "art museum" and get involved in real life into the local place. In "Above 1.0", life events intervene in the field of art, and 2.0 transformed into art events intervene in daily life. Without the blessings of the field, the identity of the performer became a woman, a citizen and a young man, dressed in formal clothing like an office worker, operating a seemingly self-destructive action. The danger of desperation threatens herself and others, and even the entire society.

The threat posed by the crisis is not an appeal, but rather a highlight of a situation. There were four performances in total, 60 minutes for each. Under the external resistance of wind and light, the performer leisurely continues to eat seeds. On the indoor wood platform, five packs of seeds are placed. The first pack is the sunflower seeds used during the performance of "Above 1.0" in Prague, and the remaining four packs are seeds used during the of "Above 2.0" performances. Calculated by eating one piece in ten seconds, there are three hundred and sixty seeds in one pack.

Every performance starts with taking seeds. The performer opens the pack and puts the plastic noose on her left hand, holding seeds to the balcony, waiting to ensure that the equipment is completed and stepping on the platform, step by step slowly going out further. After 60 minutes, the performer puts the remaining seeds and the pack back on the platform to end the performance.