Placing three sets of terrain models in front of a television, I recorded the unpredictable plays of light of the television as the light was projected onto the models. The music was created and arranged according to this new set of images. The shadows made by the contours of the tiny landscape, along with the reflection seemingly of film screens, ad boards and lakes, created a dramatic and disconcerting contrast with the apparently tranquil little piece of nature. In this way, nature becomes the image I borrowed from, the kind of nature we see in our imagination, while the lights become simultaneously re-affirmation and doubt about such an image.