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Domestication
2011-2013
BY
WU Chuan-Lun
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
Domestication
2011-2013
pencil , Paper
29X21cm
01 / 10

"Domesticated" is one of the primeval tricks to make usage of natural. I regard the world of internet as today's new nature, I start virtual hunting by using keyword “animal + kiss” search on the internet. If searching is like hunting, downloading is to capture. I print the “prey” with its original pixel and scale, therefore digital images join the practical world in its primitive look.

The "domestication" in this work is to redraw images on usual A4 paper. It's a reversal conquest from manual drawing to modern machine copy. Images that maintain its pixel size and proportion posited in the center of an A4 paper cause the surrounding blank, which is the negative space when a picture can not suit into the real world, also a self additional frame.The intersection of an image and a painting went back to limited; the images were treated in a simplest way (b&w copy), as the painting presented in its plainest way (pencil drawing). At first glance, this fine sketch looks like a copy, but with observing, a viewer will find the pixel has replaced with handful strokes. Like a domesticated animal look the same in appearance, yet essentially overwritten with human's discipline.

In nature, "snout-touching" is a functional behavior when exploring, feeding or cleaning. Only a "kissing" between human significance with social meanings like love and friendship. Kissing a person will against animal's instinct, yet a domesticated one can precisely control its muscle and nerve reflection performed the activities we called "kissing". This tiny and light touch became the evidence of an animal being domesticated by us.

I domesticated internet images like human do to animals.

ARTISTS
9 artworks / 74 exhibition
Installation Art
WU Chuan-Lun (born 1985, Tainan, Taiwan) graduated from Tainan National University of Arts (MFA). The artist is fascinated by the phenomena that blur the boundaries between nature and civilization, material and digital, ecosystem and politics in o ...
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KEYWORDS
WU Chuan-Lun, 2014-2015, New Media Art , Installation Art , Sculpture
WU Chuan-Lun, 2022,
WU Chuan-Lun, 2011, 2014, Installation Art
WU Chuan-Lun, 2016-2017, Installation Art
WU Chuan-Lun, 2011-2014, Sculpture
WU Chuan-Lun, 2022,
WU Chuan-Lun, 2010-2013, Installation Art , Photographic Art
WU Chuan-Lun, 2011-2016, New Media Art , Installation Art , Sculpture