“Flowers for Opening”, a project aiming to highlight that besides the traditional dignified relationship between an artist and a museum, there exists an embedded ecology chain. Chou invited quite a few prominent art institutes to send flowers to the exhibition to celebrate its opening. While the flowers are displayed on-site to present the viewers a list of exhibition sponsors, they show us Chou’s thoughts in regard to responding to a network of resources. For a long time, Chou has tried to transform the solid concept of an “art museum” or “sponsor” into a fluid form. An existence which seems so appropriately located in a museum may well be a result of the connection and transportation of several resources, tracing how the structure of the art industry accumulates and forms.