In “Reconstruction of Taipei Inari Shrine Archives”, Chen traces evidence of the historical site of Taipei Inari Shrine (located next to The Red House in Ximen). Through investigating the history of Taipei Inari Shrine and its main shrine Anamori Inari Shrine in Tokyo, Chen discovered that both faced the fate of being torn down and relocated after the war ended. Although the main shrine in Tokyo was reconstructed in a different location, the fate of the two shrines after the war are like miniature histories of the social environment: both the colonist Japan and colony Taiwan went through the allocation of lands under different political structures. Through this work, the artist explores the complex relationship between memories of the land, national consciousness, history, and politics.