Atlas of Queer Anatomy
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Intertwining penises, tongues, mouths and anuses between which spiny viruses and swarming microbes move, drawn in bright black lines on clean white paper and animated in vibrant colours, but also executed in 3D as almost abstract sculptures. They are in one space with a long series of almost X-ray-like prints showing a spectrum of ever slightly different developed intersex genitalia. Together, they form the first two chapters of an important new inclusive anatomy lesson, or the world's first Atlas of Queer Anatomy.

Artist Kuang-Yi Ku and Prof Dr Henry de Vries, who specializes in sexually transmitted infections (STIs), pooled their knowledge and skills to challenge the medical patriarchy, heteronormativity and white Western dominance of anatomy education by constructing an ambiguous, uncertain, fluctuating anatomical system. With their Atlas of Queer Anatomy, they offer an ironic reflection on the globally still widely used classic anatomy textbook "Atlas of Human Anatomy" drawn by medical illustrator and surgeon Frank H. Netter that first appeared in 1957.

Medical anatomy á la Netter defines a clear body boundary. It suggests the power to determine what constitutes a clean, healthy and complete body. However, this hierarchy of medical anatomy leads to underrepresentation of marginalised groups. It causes not only cultural discrimination, but also serious problems in (access to) clinical treatment and public health. For instance, intersex has always been pathologized rather than considered as proof of the diversity of human anatomy.

Moreover, classical anatomy often completely ignores our extremely symbiotic dependence on the non-human. After all, where does our body end and the flora of bacteria living in, on and with our bodies begin? It's not a binary boundary. It is a spectrum, says De Vries. But the artist and scientist do not decide on their own what the Atlas of Queer Anatomy will look like. Part of the project are participatory performances and workshops, they call "Queer Anatomy Lessons", in which they encourage young medics and creatives as well as wider audiences to draw and make queer anatomical collages themselves, which they then incorporate into the atlas and website. The aim of this comprehensive fictional anatomy textbook is to increase the inclusivity and diversity of anatomical interpretation in and outside the medical system.

Text by MU Hybrid Art House

Credits:
Graphic and book design: Tzu-yen Chen/Onieyen Studio
Video making: Tzu-yen Chen/Onieyen Studio
3D model fabrication: Te-Yen Hsu
Textile fabrication: Shin Hua Yang
Spatial design: Hsing-Wen Lin/ MCMarchi

This project is supported by BAD Award (Bio Art & Design Award), MU Hybrid Art House, Dutch Design Foundation, BioArt Laboratories, Next Nature Network, St. Joost School of Art & Design/ Master Institute of Visual Cultures.
藝術家
顧廣毅
顧廣毅目前居住於荷蘭與台灣從事創作工作,並於英國雪菲爾哈倫大學進行藝術設計與生物科學的 跨領域創作博士研究。現為科學藝術團體「共演化研究隊」以及TW BioArt台灣生物藝術社群共同創 辦人,碩士畢業於荷蘭恩荷芬設計學院(Design Academy Eindhoven)社會設計研究所(MA, Social Design)、國立陽明大學臨床牙醫學研究所、實踐大學媒體傳達設計研究所,大學畢業於高 雄醫學大學牙醫學系;具有牙醫師、生物藝術家以及推測設計師等多重身分。他試圖拓展藝術、設 計與科學結合的可能性,作品主要專注於臨床醫學、人類身體、人與其他物種的關係以及性別議 題,嘗試藉由藝術實踐與設計方法去探索科學領域中的倫理問題,並藉此思考科技、人類個體和環 境之間的關係。

他的作品曾獲多個國內外奬項,例如:生物藝術與設計大獎Bio Art& Design Award首獎、臺北數位 藝術獎首獎、臺北美術獎入選、美國Core77 Design Awards的Speculative Design Award、荷蘭恩 荷芬設計學院Gijs Bakker Award首獎、荷蘭未來食物設計大獎 Future Food Design Award前三名。 此外,他的作品更受邀參與國際重要展覽,如德國柏林Transmediale跨媒體藝術節、奧地利林茲電 子藝術節、荷蘭設計周、米蘭設計周、比利時根特設計博物館、英國倫敦V&A博物館等等。而他的 作品曾刊登於多份國際媒體,包括New Scientist、The Huffington Post、Elephant Magazine、 DAMN°、Dezeen、Designboom、VICE、Dazed Digital、Daily Mail、New York Post等。
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